"Politics #2 Abortion" Response: Prompt 2

2.
Teenagers who become mothers have grim prospects for the future. They are much more likely to leave of school; receive inadequate prenatal care; rely on public assistance to raise a child; develop health problems; or end up divorced. 

Teenagers who become mothers have grim prospects for the future. They are much more likely to leave school, receive inadequate prenatal care, rely on public assistance to raise a child, develop health problems, or end up divorced. Many of these young mothers are enticed into the “solution” of abortion. They are often told that terminating their pregnancy “will be better for you, your family, and for society in general.” Unfortunately, in a postmodern society that advocates an absence of moral absolutes (including the sanctity of all human life, including fetuses), this message is accepted at an alarming rate. In reality, however, pregnant teenagers have no right to abort their pregnancies.

Even in cases of rape, many medical centers offer drugs which, if taken quickly enough, will prevent impregnation without killing a fetus. Secondly, there are very few times per year (almost less than one-tenth, in many cases) during which a woman can become pregnant. Therefore, women who are raped are often morally responsible for choosing to place themselves in situations or places that result in their being raped or impregnated (since chances are slim that they can become pregnant “by accident”). In addition, despite a young woman’s degree of innocence behind her rape, it is unrighteous to slaughter an innocent, unborn child for the sin of its father. Other “justifiable” cases for abortion include pregnancies that could endanger the mother; often, these abortions are a three-day-long process. If such situations are really that crucial, then a doctor could save much more time by simply performing a Caesarean section in a matter of minutes. These arguments for abortion, then, are easily refuted by using logic instead of appealing to inconsistent emotions, such as pity for the “victims” society portrays these mothers as.

As for teenage mothers who choose to engage in activities that result in their impregnation, they have a moral obligation to avoid abortion. Sins receive penalties equal to their magnitude; for example, serial killers are often justly given “the death penalty” and executed. A teenage mother’s acquiescence to her carnal desires, therefore, reaps the consequence of impregnation. Even if these teenage mothers do turn to abortion, the act of killing their child does not erase their sin; rather, it only compounds it. These teenage mothers, in aborting their pregnancy, only doom themselves to a life of guilt that will jeopardize all of their later relationships. 

While it may be true that teenage mothers must leave school early, such an academic fate is not surprising. The penalty of not being educated compensates for the irresponsibility with which teenage mothers acted when they decided to engage in intercourse. Now, the time that would have been spent preparing for their future must be spent paying for their moral frailty.

Although it is widely believed that teenage mothers receive inadequate prenatal care, this notion is not an absolute statement. Depending on a woman’s insurance policy, she could receive excellent prenatal care and medical treatment for her child. This gives some teenage mothers a good reason to keep their babies. Teenage mothers who do happen to receive poor prenatal care, however, can be reached by churches and Christians in the community around them. Hopefully, the love that they demonstrate will make a positive difference in the mother’s life, causing her to understand the sanctity of her baby’s life.

Teenage mothers must also rely heavily on public assistance to raise any children they have in their youth. Many doctors use this “your baby will be a societal burden” excuse as a reason to persuade teenage mothers to get an abortion. However, such mothers will feel grateful for public assistance, like welfare—even if they put extra strain on society. Likewise, this should teach them to view their baby as putting a similar strain on her body. Instead of using this as a reason to kill the fetus, the mother should logically liken the baby’s relationship to her body to her own dependent relationship with social programs of public assistance. In both cases, the mother and child are dependent on someone else for their well-being and security. If public assistance were to be completely taken away from the mother, both she and her child would suffer; why, then, should the mother take away her bodily support for the baby through abortion?

Teenage mothers have been said to develop health problems rather easily. Quite frankly, this is perfectly understandable and should be expected. I Corinthians 6:19 states that the body is the temple of the Holy Spirit. Therefore, women whose bodies are defiled by sexual immorality must inevitably suffer physically. To allow one’s body to be misused is an insult to the Holy Spirit, whose temple has now been soiled. Since God and filth cannot coexist, health problems become a very real possibility for teenage mothers. Mothers who commit murder in this temple (abortion), should receive even higher consequences for their destruction of innocent life.

Sin is never private—it must inevitably be brought out into the light. Whether a teenage mother is raped or consciously (and carelessly) chose to participate in sexual immorality, the original perpetrator of the sin has infected both parties’ lives with corruption. This corruption becomes a kind of “baggage,” so to speak, on each person’s life—as mentioned before, this will go on to stain every future relationship each person is involved in, especially the mother. This is a significant factor in the numerous divorces that teenage mothers ultimately undergo. Also, teenage mothers who abort their baby must live with the guilt of the abortion, as well as the relationship problems just mentioned. They learn to live by emotionally punishing themselves with guilt, and by punishing other men for something they had no idea about.

Many teenage mothers do indeed have a very small chance of “getting ahead” in life once they find themselves with child. Whether or not they choose to keep the child may be their “civil right,” by society’s definition. However, in God’s sight, they have a moral obligation to respect the baby’s human right to life. Rather than fleeing the bodily and emotional stress of dealing with a child by turning to abortion, teenage mothers need to fear the One who can destroy both body and soul in hell (Matthew 10:28). 

"Politics #1" Response

            People who believe in God also reap the benefit of having hope for spending eternity with Him in Heaven after death. However, atheists, such as Secular Humanists, are forced to create Heaven on Earth. This goal is most often achieved through elevating the government to higher levels of authority. Formally, Secular Humanist political ideals are collectively known as the “secular world government”—“a non-religious political body that would make, interpret, and enforce a set of international laws” (Noebel, 333). Secular world government ideas include increased liberalism (“a political tradition based on a secular ethic an d a high degree of government control” (Noebel, 332)), universal disarmament, and the strengthening of the United Nations (Noebel, 333). A consistent secular world government would also adhere to evolutionary theory, praising the political arena as a significant catalyst for Mankind’s progress (Noebel, 332). Ultimately, a secular world government would eliminate religious biases, uniting the world under the “equalizing” democracy of Secular Humanism. Secular Humanistic democracy, however, does not just stop at allowing people to vote and thereby influence political development. Rather, it more strongly refers to the aforementioned “equalizing” of Secular Humanism. However, as idyllic and equitable a secular world government may initially seem, it is supported by a corrupt desire to eradicate individuality, morals, and religion (especially Christianity) from the public square and political arena. The only way in which a secular world government can “equalize” its citizens is to deprive them of their humanity.

            Because Secular Humanists see humans as the most highly evolved animal, they also see politics as an evolving field; as such, Mankind is called to use politics to control his own evolution. However, this approach to politics essentially undermines its own definition—political figures and governmental forms are meant to help rule the people, and are not meant to be manipulated to accommodate the random process of evolution. Not only is this evolutionary approach to politics detrimental to its God-given function, but it would sap all people beneath the secular world government of a conscience. By relegating politics to the status of a tool of evolutionary control, a secular world government obliterates the significance of morality and allows a people to fulfill their desires, no matter how evil, as long as they fit under “true democracy.”

            In addition to the moral abominations presented by a secular world government, it is important to remember the universally acknowledged principle that “absolute power corrupts absolutely.” Theoretically, the equality that the secular world government would establish exudes the message that there is no God that anybody needs to follow. All people are equal, and must instead acknowledge their political unity under the secular world government. This kind of idea inevitably causes a person to believe his or herself the “god” of his or her own private life. The feeling of absolute power that such ideas grant their victims will only cause them to spiral downward in corruption. This flatly contradicts the Secular Humanist principle that Man is perfectible, a gigantic premise behind their belief in the inevitability of the secular world government.

            Finally, the secular world government would greatly dehumanize its citizens. By gathering beneath a secular banner, people would lose their individuality by forfeiting their right to freedom of religion, speech, et cetera, in the name of secular “democracy.” In the words of Dr. Martin Luther King, Jr., such peace is not the well-earned result of earnest discussion—it is born from a kind of negative tension that is fueled by a fear of the majority opinion. Christians, especially, should be wary of a secular world government. Its rejection of the ultimate Lawgiver and His wisdom in influencing human politics is spiritually repugnant. For instance, David A. Noebel points out that in the United States alone, the secular world government would:

“…seek to eradicate Christian symbols and content from the public square by removing the Ten Commandments from public schools, removing ‘under God’ from the nation’s Pledge of Allegiance, replacing Christian ethics with values clarification, re[placing divine law with legal positivism, replacing the celebration of Christmas with winter holiday, standardizing sex education and alternative lifestyles into the public school curriculum, and disregarding references in the Declaration of Independence to God-given rights.” (336)

These potential results of the secular world government emphasize a sense of robbery than one of equality. In fact, the secular world government seems much more oppressive than democratic—especially in regards to Christianity.  It is useless to embrace a form of government whose real-life application steals from its formally defined intent. The fact that such a government seeks to control the entire planet, even though it cannot remain consistent within itself, is a hideous insult to the human intelligence it plans to “equalize” into submission. 

"ARTS blog" Response

Without exception, every person throughout the history of Mankind has had a worldview. Some of these people became artists, and learned to express their worldviews through the beauty of artistic expression. Some of these artistic pieces are paintings, musical compositions, buildings, and sculptures. Some modern-day artists even incorporate artistic designs into everyday drawings and clothing styles. However, just as society changes over time, so must the art that results from it. For example, Dutch Reformation paintings were meant to elevate the mundane, and “send out” a message about the beauty God has engineered into His creation. Postmodern art, however, like Dada art, is meant to be interpreted in any subjective manner, yet ultimately emphasizes the meaninglessness of life. Artistic trends, principles, styles, and significance find both commendation and judgment in Leland Ryken’s essay, The Creative Arts, and Roger Scruton’s 2009 documentary, Why Beauty Matters.

            I agreed with The Creative Arts and its opinions on the various levels of truth that a piece of art represents. This kind of classification accommodates the Christian’s morally firm task in evaluating art, and gives a kind of balance to the subjective bias most art-viewers bring. I especially appreciated/agreed with Ryken’s statement that an artist’s worldview, as well as fundamental artistic concepts, inevitably leak into a piece of art. Ideas have consequences, and the artist’s “consequence” is the message he or she portrays to the world through his or her art form—whether it be a novel, a painting, or a piece of music. I also agreed with Ryken’s reference to the creative aspect of God’s own Mind—without it, Creation would not exist. The repeated Biblical references to God’s creativity and love of fine craftsmanship offered firm validation of art’s value. God’s use of even pagan artists to create beautiful art reinforces the message that Christians need not fear engaging artistic culture in an effort to expand God’s Kingdom. The connection Ryken formed between the Fall and incorrect artistic expression created an objective way of examining the arts. Since I tend to believe more strongly in Man’s innate evil rather than his innate goodness, I fully agreed with the potential for an artist to distort the arts by using them to portray an erroneous worldview. However, I disagreed with Ryken’s statement that “…beauty is worthy in itself, just as truth and goodness are” (204). While it is true that beauty has value, it should be equated to neither truth nor goodness, which have more spiritual value. For example, moral truth has the ability to save someone (especially a Christian) from a sinful situation. However, artistic beauty can only invoke warm feelings and a sense of appreciation for somebody else’s talent. Beauty cannot save souls or stir the conscience, but it can aesthetically brighten a person’s day. Salvation is a beautiful thing, but beauty is not a “salvational” thing.

            Roger Scruton’s 2009 documentary, Why Beauty Matters, also discussed the role of aesthetic beauty in the arts and its role in human culture. He began by explaining how, in the past (i.e. the era of Premodern painting), people led painful lives that became alleviated through the presence of beautiful art. The beauty of art back then elevated even the mundane aspects of life, and taught people to appreciate life in general. In turn, people received hope to keep persevering, despite their harsh lives. I am in full agreement with Scruton on this point. Without the beauty of the arts to deliver a person from the stress of his or her everyday life, one will forget what it is like to truly appreciate other aspects of God’s Creation. If respect and admiration for the Creation is emphasized and encouraged, it brings a person closer to the God who made it all. The beauty of classic art is God’s way of strengthening ourselves as well as our faith in Him. Scruton also mentioned this (he says that the beauty of premodern/classical art reflected the artists’ and viewers’ desire to come closer to God, or at least some form of permanent spiritual fulfillment). I also agreed with Scruton’s scathing assessment of the effect of modern architecture. The absence of ornamentation and extra thought that plagues modern buildings is the antithesis of the Biblical message, “Do all as unto the Lord” (although Scruton would not use this Biblical allusion). The minimalism modern architecture endorses, therefore, may indeed exude a sense of directness that appeals to some people. However, the efficiency of modern architecture simultaneously connotes a lack of respect for the traditions of the past, which, if discarded, do not allow us to move forward as a society. Scruton also points out the mockery that the creative arts are reduced to because of artists like Duchamp, who sought to undermine the “snobbish” nature of the arts by creating postmodern art (the urinal; “ready-mades”; piles of bricks). While it is a good thing to encourage artists with new ideas, it is quite another to exaggerate that need to the proportion that artists like Duchamp did. In fact, this exaggeration drove the arts into a downward spiral—the arts changed from a field requiring talent and hard work, to something that can be “thrown together” in a few minutes. As Scruton puts it, even though such new forms of art may serve to shock the public, as they become more deeply involved in society, their shock wears off. The hideousness and common employment of such art is a cause of alarm for those who believe in real, beautiful art. I also agree with Scruton’s argument that people who embrace this “anti-art” are also victims of a culture that teaches them that they only need to satisfy their utilitarian appetites (which are only satisfied by finding useful items through spending). Scruton also stated that there is no room for ugliness in the world—beauty must be emphasized and utilized in all areas of life. I highly disagree with this declaration. To use Scruton’s own example: artistic beauty could never have come into existence without the abjectly hideous aspects of life and human nature that gave the artists such strong emotional inspiration. Scruton goes on to explain how humans can begin to understand the transcendental realm which houses God by experiencing beauty, both in art and in the human form. This leads to a kind of Platonic love—a respectful, appreciative sense of love/longing, sans corrupt feelings like lust. According to Scruton, we learn to recognize the eternal beauty of God by examining the “beauty” of a well-proportioned, youthful body—even in a wrinkled face, one can find the beauty of wisdom and experience. While learning to appreciate everyday physical beauty is important, and teaches a person about the true source of beauty and creativity (God), it is neither the best nor the only way to come to an improved understanding of God. God reveals His own character through general revelation (nature and the conscience) and special revelation (Jesus Christ and the Bible). People must learn to love God’s way (not Plato’s), through obedience to Him and serving others, not through examining a body’s physical features or classical sculptures with a Platonic lens. Rather, it is much more important to examine the beauty of the complexity of the mind, soul and emotions which God has given Man, so that he might appreciate beautiful art to begin with. For example, the Unity of Identity actually teaches about the changes and breakdown undergone by the body at regular intervals. That is because its chief argument is for the existence of a soul—the eternal “self” God has placed within each person. Any kind of physical appeal is always defeated by a sharper mind, greater spiritual depth, and emotional complexity. These features are, by far, infinitely better “fingerprints” of God’s creative power and Character, than are beautiful pieces of art. It is crucial to remember that the eyes, which are the most common tools used to absorb Scruton’s all-important beauty, also serve as the window to the soul—God’s real work of art within Man. Also, Scruton claims that beauty was not planted in the world by God—it was discovered by people. I disagree with this statement. People, who bear God’s image, can only recognize beauty because that ability comes from Him. Therefore, the fact the He (and by extension, humans) can recognize beauty, shows that He created beauty as well, planting it into the world for our benefit.

            The Creative Arts and The Philosophy of Beauty have a mutual endorsement of fundamental artistic principles and their incorporation into a successful piece of art. For instance, Ryken mentions the concepts of line, symmetry, et cetera, that make up many impressive paintings. Scruton gives the highest praise to premodern art, which is known for its flamboyant use of artistic principles like emphasis, highlights, et cetera, that give it a sense of focus and enticement. In addition, both Ryken and Scruton discuss the connection between human spirituality/Man’s relationship to God, using art as a crucial bridge. Another similarity is that Ryken and Scruton understand the influence of an artist’s worldview and values on his or her art. Ryken uses the example of a musical composition that is either dominated by organization (showing a person with an orderly, i.e. Christian, worldview) or disorganization (a worldview that disagrees with submitting to any natural order). Scruton analyzes the disrespect towards the past inherent in the worldviews of modern architects. Such a modern disrespect for history has continued to lead the unsuspecting creative arts down into a cesspool of Postmodern art and its (literal) meaninglessness.  Because Postmodernists believe that “history is written by the winners,” they discard art’s past, because any extant masterpieces are assumed to have suppressed the artistic minority of their day (which, apparently, they had no right to do). Both Ryken and Scruton classify beauty as a value of its own—equal in merit to concepts like truth and goodness. That is because both of them recognize the importance of beauty as a form of general revelation. Both also go on to state how beauty often reflects God’s creative power. Both Ryken and Scruton also acknowledge the significance of nature on artistic history. Ryken uses the nature paintings of nineteenth-century English painters Constable and Turner to demonstrate artists whose goal is to “convince us not simply that physical nature is an important part of reality but also that it is something of great worth in human experience” (201-208). Scruton also uses famous nature artists, whose goal is to teach their viewers to simply take in natural beauty. He also explained the shift that natural art marked. The emphasis in paintings changed from the individual people, to the overall geographical landscape, with the people only occupying a small area of the canvas. Nature’s gigantic influence in art allows people to step back from their own lives, and revel in God’s Creation—whether or not God has anything to do with the artist’s intent.

            The Creative Arts and Why Beauty Matters also have some important differences in the way they discuss the arts. While Ryken delineates the goals and purposes of artists and their masterpieces with a Christian perspective, Scruton explains the beauty of art (more often than art itself) from more of a secular perspective—perhaps agnostic, at best. The Creative Arts emphasizes the arts’ audience to take a dynamic role in assessing the worldviews, truth values, and moral viewpoints of a piece of art. However, Why Beauty Matters portrays an artist’s ideal audience as a passive vessel for true artistic (and by “true artistic,” Scruton is referring to pre-modern, classical-type art) beauty to be absorbed by. The audience is only encouraged to aggressively critique a piece of art (preferably, negatively) when the piece lacks old-style structure and ornamentation. For instance, while Ryken would encourage viewers of both the Mona Lisa and Duchamp’s urinal to carefully and impartially analyze the artists’ inevitable portrayal of reality, morality, and values within the pieces, Scruton would probably happily bask in the presence of the Mona Lisa and condemn Duchamp’s urinal as a parody of true art. As the next step, Ryken would exhort Christian viewers not to shun any non-Christian worldviews these pieces offer. Rather, he would strongly recommend that they think through these new ideas, concede to its representational truth, and use the whole experience to strengthen their own Christian foundation. Scruton would be willing to acknowledge, but neither embrace nor put to use, the artists’ worldviews—so long as at least one of them remained beautiful.

Ryken comes to the conclusion that Christians need all forms of the creative arts. By examining the truth values, underlying worldviews, and other human reasons behind pieces of art, Christians will help the arts fulfill their highest calling—the ultimate glorification of God. I agree with Ryken. By coming to fully understand the importance of the creative arts in society, Christians can use all art forms to bring a respect for God back into a world that rejects Him. By learning how to maturely interact with different worldviews manifested in the arts, Christians can use them to strengthen their own faith. It is this kind of spiritual development that will bring about true beauty in an individual—not any amount of classical training, as Scruton would endorse. Why Beauty Matters concludes with these words of Scruton’s:

In this film, I have described beauty as an essential resource. Through the pursuit of beauty, we shape the world as a home, and in doing so, we both amplify our joys and find consolation for our sorrows. Art and music shine a light of meaning on ordinary life, and through them, we are able to confront the things that trouble us, and find consolation and peace in their presence. This capacity of beauty to redeem our suffering is one reason why beauty can be seen as a substitute for religion. Why give priority to religion? Why not say that religion is a beauty substitute? Better still, why describe the two as rivals? The sacred and the beautiful stand side by side—two doors that open onto a single space, and in that space, we find our home?

As mentioned before, I do not agree with Scruton—religion and art cannot be equated. A religion defines one’s way of life, and provides a foundation for his or her worldview. For example, Ryken embraces Christianity as the best worldview lens through which to view art. A religion like Christianity gives Man a God who calls him to holiness and righteousness. Religion empowers a person to “walk” the way he or she should in her own lifestyle, from Buddhism to Christianity to Islam. However, beautiful art lacks such a deep spiritual influence. While it has the potential to help someone achieve new emotional reactions, it does not force him or her to rise to a higher level of morality or spiritual depth.

"Shariah Law" Response

Laws are incapable of building a safe foundation for society, if the worldview from which they originate has a flawed approach to the nature of God and man. Christianity views law as a result of God’s Character, meant to save Man from his own fallen desires. This way of thinking about law best balances human rights, along with human boundaries, to create a peaceful society. Atheistic worldviews, such as Secular Humanism, believe God does not exist; therefore, there is no ultimate moral standard from which laws come into being. The freedom that secular law gives to Man enables him to evolve along with morality, allowing him to make laws that satisfy his evil cravings. Such an imbalance of freedom and boundaries portends societal chaos, not peace.

One example of theistic law that fails to create a stable society is known as Shari’ah Law, the form of law espoused by Islam. Shari’ah law is made up of different law schools and law sources—such as the Qur’an, Hadith, Ijma’, and Qiyas. It has five categories of behavior: Commanded behavior (the Five Pillars and participating in jihad), Recommended behavior (charitable acts “above and beyond the call of duty”), Forbidden behavior (such as thievery, sexual immorality, and drinking wine), Disapproved behavior (essentially, the opposite of Recommended behavior—i.e. divorce), and Indifferent behavior (acts that have neither positive nor negative consequences). These five different kinds of behavior have one ultimate motivation in mind—to gain favor in the afterlife. Shari’ah law, then, obliges individuals to work for their salvation and spiritual well-being. Incidents such as the one mentioned in “Just Another Case of Sharia in America” are excellent examples of the result of the destructive effects of Shari’ah Law and its five components. Muslims such as Talaag Elbayomy, because of Shari’ah Law (and the terrifying consequences to defying it), must resort to societal unrest and assault to gain spiritual favor. The introduction of chaos that Shari’ah law subjugates its countries to is an excellent reason as to why it would not improve America, which is built on principles of freedom and peace.

The struggle to maintain control over one’s sinful tendencies (i.e. jihad), and therefore keep the law, also becomes even harder. Since Shari’ah law springs from Allah’s unknowable character (unlike the Christian God, whose moral character forms law), Muslims are forced to rely on their allegedly innate goodness to stay “legal.” In many Muslim/Shari’ah-dominated countries, this Muslim belief in Man’s ability to become perfected has led to a lack of division of powers (Noebel, 295). Ruthven puts it best:

“[B]ecause the Islamist model is predicated on the belief in government by morally impeccable individuals who can be counted on to resist temptation, it does not generate institutions capable of functioning autonomously by means of structural checks and balances. Political institutions function only as a result of the virtue of those who run them, but virtue can become widespread only if society is already Islamic.” (Noebel, 295)

These governmental ideas have led to dictatorships or monarchies in Muslim countries. Such totalitarian systems of government can only make laws that harmfully repress citizens. These ideas clash strongly against, and threaten to ultimately destroy, America’s sense of democracy and freedom of personal expression. Ultimately, if Muslims hope to bring Shari’ah law into America, the name “America” will lose any significance—if overtaken by Shari’ah law, the United States will lose the distinction of human rights that it was founded on to begin with. Only Christianity-based democracy or Shari’ah-based dictatorship can prevail—they cannot coexist.